Careers

The VFX career that doesn't require leaving Wales

For decades the deal was simple: if you wanted to work in visual effects, you moved to London. We're building the studio that breaks that deal — from Bangor, North Wales.

Where we are

Small team, growing deliberately

We're at the start of this — a supervisor-led studio with a real-time pipeline and three crafts we're determined to do properly. We don't run a wall of open vacancies. What we run is an open door: when a project needs more hands, we call the people who've already pitched us. Be one of them.

Compositors

Keying, cleanup, paint-out, screen comps. If your work is invisible, we want to see it.

Unreal Engine artists

Environments, lighting, virtual camera. Game or film background — real-time is real-time.

Motion & UI designers

Screen graphics, titles, fictional interfaces that read in a second and survive a 4K close-up.

Students and career-changers welcome — Wales trains great artists and then exports them; we'd rather grow them here. No VFX credits yet? Show us anything that proves your eye.

Why vedrí

What working here actually looks like

01

Set and post, one building

Most juniors pick a lane: on-set or in-suite. Here you'll do shoot days on a working virtual production stage and finish the same shots in post — the fastest education in the pipeline there is.

02

Real-time tools, no render purgatory

Unreal Engine and Assimilate Live FX all day. You see your work move in front of you — and in front of the client — instead of babysitting a farm overnight.

03

Senior eyes on your shots

You work directly with the supervisor, not six layers below one. Your name goes in the credits block on the case study — we publish who did the work.

04

North Wales, on purpose

Mountains on the doorstep, Aria Studios up the road, a cost of living Soho can't offer. Cymraeg yn y stiwdio — working in Welsh is welcome here, not a novelty.

How to pitch us
One email. A reel or portfolio link, three sentences on what you're best at, and where you're based. That's the whole process.

We reply to every pitch — usually within a week. No cover letters, no application portals, no ghosting.